Punjab: Sacred Horn Crafts Linked to Generations

Punjab: In the narrow lanes of Kasarian Bazaar, also known locally as Bhandya Wala Bazaar, the rhythmic sound of hammering on brass resonates a centuries-old tradition. Here, Vijay Kumar’s family has been handcrafting the traditional musical instrument ‘Narsingh’ for eight generations, a craft that has been passed down like a sacred legacy. Handcrafted entirely from brass sheets, the Narsingh is a ceremonial horn used to announce religious processions and is traditionally played by the Gavantris at Udasi camps. “Our Narsingh is used not only in Punjab but also in Himachal Pradesh, Jammu, Uttarakhand, Maharashtra and Madhya Pradesh,” says Vijay with quiet pride. Apart from the Narsingh, the family also makes ‘nagphani’ and ‘trumpets’ – musical instruments commonly used at Sufi shrines (mazars) and Hindu temples. Occasionally, Buddhist lamas visit the workshop to order long, curved horns known as ‘kanals’. Vijay Kumar traces his lineage back to the days of Amritsar’s founding. “My ancestors were called here by Guru Ramdas ji himself,” he said, recalling names such as Koju Mal, Amir Chand, Pindi Das and Amolak Ram, all skilled craftsmen in their time.

My grandfather Diwan Chand, who passed away in 1999, carried forward the family tradition, followed by Baldev Kumar, Vijay Kumar said. A photograph of his great-grandfather still hangs in his modest workshop, a visible proof of a family legacy rooted in craftsmanship and devotion. “As per our family tradition, I started working as a child,” said Vijay. “I learnt everything from my father. His skill was unmatched, his joints never leaked, and his tools were perfect.” According to him, the durability of his tools means that customers usually only need to buy once. “People rarely come back for repairs,” he said. Each Narasimha starts with a plain brass sheet. The artisans shape it into a pipe, then bend and join the sections by hand using only basic tools and years of experience. “Our fingers train over time. It’s all about practice,” said Vijay. Though he admits he is not a skilled player himself, he says the real magic happens when professional musicians perform with the Narasimha at the Udasi camps. Despite waning interest in the craft and limited financial gains, the family continues with contentment. “We are satisfied with what we earn, it’s enough for food, clothing and shelter,” said Kumar.